Are You a Poet or a Fiction Writer? Does it Matter?

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People used to tell me I was really a poet, not a fiction writer because I tended to focus more on wording than plot. I disagreed. For one thing, I was afraid of poetry and had always preferred to read stories. Years later, after much writing, reading, and teaching, I’ve learned a lot about plot and character development, and I’m no longer afraid of poetry either, as I explain in this Tiktok video.

I tend to like more accessible poets, but if they’re too accessible, they don’t reverberate- which is one of the best properties of poetry. “Reverberate” is my word for when you keep finding more layers of meaning as you go over it. I liken poetry to a riddle. It’s like playing scrabble or chess. You want it to give you something to unravel, but you don’t want to be totally left out in the cold.

It’s hard to teach poetry, because it’s so darn subjective, but I believe I’ve come up with some good general rules: It should be compressed, it should make leaps of association, it should shift in some way (for example, from inside to out, from past to present, from abstract to concrete), it should make meaningful use of line breaking, it should appeal concretely to the senses, and it should be original. The parameters are broad intentionally.

I have a fondness for Wallace Stevens, even though he can be pretty abstract. I’ve found that it’s easier to understand a poet if you read a lot of their poetry all together, because you start to be able to crack their code. Memorizing poetry is another way to to understand a poem, and it has the added benefit of being good for your brain and making you seem super erudite (not that we need to try, right?

I have a terrible memory, so it took me a while to memorize Wallace Steven’s “Final Soliloquy of the Interior Paramour.” Making a tiktok out of it was the clincher.

@lalette.a.tete

“The Final Soliloquy of the Interior Paramour” by Wallace Stevens. #poetrylover #booktok #professor #indiewritersoftiktok

♬ Night Trouble – Petit Biscuit

Summing up the meaning in a few sentences does it a disservice, so just take this as a conversation starter. The poem suggests our imagination is a powerful force, as powerful as that thing we call God. Yet sis poems “The Emperor of Ice Cream” and “Of Mere Being,” suggest he was an atheist, so poem seems to be suggesting that i wrapping ourselves in the beauty of poetry and the brilliance of a mind that puts itself to good use makes life worth living.

Sci-fi writer Ray Bradbury said he warms up for writing every morning by reading poetry first. You can tell by the poetic nature of his lines. Many writers write in more than one genre, but this isn’t well known because publishers think pigeonholing us makes us more marketable.

We don’t live to be marketable, and while I wouldn’t mind selling a few thousand copies of Strange Appetites, my book of short stories coming out in September and Blue Woman Burning, the novel coming out in December, I don’t write to be marketable, either. I write to be lifted by that candle Stevens talks about that lights the dark. I aim to blend a good plot with the best aspects of poetry. And my hope is that when you read my work, you too, are warmed by it and find that “being there together is enough.”

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About laledavidson

My novel Blue Woman Burning will be published by Red Penguin Books in the fall of 2021: "In the cold descending breeze of the Altiplano between Chile and Bolivia, Fallon’s narcissistic mother bursts into flames before her family’s eyes. The inexplicable nature of their loss marks each family member in a different way. For Fallon it is the first step toward adulthood. For her older brother, it is a blow he never recovers from. Thirteen years later, Fallon is about to conquer self-doubt and apply to medical school, when another calamity sends her reeling. The event prompts a cross country search for a truth worth living for. What she discovers changes everything." My stories have appeared in The Collagist, Big Lucks, and Eclectica, among others. I was a finalist for the Franz Kafka Award issued by Doctor T.J. Eckleburg Review as well as the Black Lawrence Chapbook Contest of 2015 and the Talking Writing Award for humorous writing advice. My story “The Opal Maker” was named Wigleaf top 50 (Very) Short Stories of 2015. I am a distinguished professor of writing and recipient of the Chancellor's Award for Excellence in Creative Activity. My opinions are mine alone and do not represent the opinions anyone with whom I am affiliated.

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